The Digital Archives Collection is dedicated to enhancing access to the Center's unique collections through providing long-term preservation of historical manuscripts, photographs, and born digital materials and expanding access to a global community of researchers, students, and patrons to connect with the past digitally.

Historical photograph of students at Slater Training School, representing the archival collections on African American education at the Amistad Research Center.

Bridging The Past
And Present

Group photo of staff at the Amistad Research Center, standing in front of historical documents and archival materials, highlighting collaborative research and learning.

Invaluable access to primary source documents and rare materials, particularly benefiting those unable to visit in person.

These resources are crucial for K-12 education, providing teachers with tools to bring history to life in the classroom.

The Long Civil Rights Movement: Photographs from the Ronnie Moore Papers, 1963-1972

The Long Civil Rights Movement: Photographs from the Ronnie Moore Papers, 1963-1972

The Long Civil Rights Movement: Photographs from the Ronnie Moore Papers, 1963-1972

Ronnie Moore served as the field secretary in the South for the Congress of Racial Equality (CORE) and the executive director of the Scholarship, Education and Defense Fund for Racial Equality, Inc. (SEDFRE). The Ronnie Moore papers consist of photographs (1964-1972) from his involvement with these organizations.

The Long Civil Rights Movement: Photographs from the Ronnie Moore Papers, 1963-1972

The Long Civil Rights Movement: Photographs from the Ronnie Moore Papers, 1963-1972

Ronnie Moore served as the field secretary in the South for the Congress of Racial Equality (CORE) and the executive director of the Scholarship, Education and Defense Fund for Racial Equality, Inc. (SEDFRE). The Ronnie Moore papers consist of photographs (1964-1972) from his involvement with these organizations.

The Long Civil Rights Movement: Photographs from the Ronnie Moore Papers, 1963-1972
The Rex Madsen and Jimmie Daniels Photograph Collection

The Rex Madsen and Jimmie Daniels Photograph Collection

The Rex Madsen and Jimmie Daniels Photograph Collection

The Rex Madsen and Jimmie Daniels photograph collection documents the life of Jimmie Daniels and his career as a a nightclub host and entertainer during the Harlem Renaissance and into the 1950s and 1960s.

The Rex Madsen and Jimmie Daniels Photograph Collection

The Rex Madsen and Jimmie Daniels Photograph Collection

The Rex Madsen and Jimmie Daniels photograph collection documents the life of Jimmie Daniels and his career as a a nightclub host and entertainer during the Harlem Renaissance and into the 1950s and 1960s.

The Rex Madsen and Jimmie Daniels Photograph Collection
The Crescent City Pictorial

The Crescent City Pictorial

The Crescent City Pictorial

In 1926, former school teacher and newspaper publisher O.C.W. (Orlando Capitola Ward) Taylor published a 28-page souvenir booklet dedicated "to the Progress of the Colored Citizens of New Orleans, Louisiana, "America's Most Interesting City."

The Crescent City Pictorial

The Crescent City Pictorial

In 1926, former school teacher and newspaper publisher O.C.W. (Orlando Capitola Ward) Taylor published a 28-page souvenir booklet dedicated "to the Progress of the Colored Citizens of New Orleans, Louisiana, "America's Most Interesting City."

The Crescent City Pictorial
Print Culture of the Civil Rights Movement, 1950-1980

Print Culture of the Civil Rights Movement, 1950-1980

Print Culture of the Civil Rights Movement, 1950-1980

The Civil Rights Movement in the United States coincided with rapid changes in a variety of news and communications media.

Print Culture of the Civil Rights Movement, 1950-1980

Print Culture of the Civil Rights Movement, 1950-1980

The Civil Rights Movement in the United States coincided with rapid changes in a variety of news and communications media.

Print Culture of the Civil Rights Movement, 1950-1980

Start Your Digital Journey

Dive into our digital collections today. Explore Now and start your research with Amistad’s extensive online archives.

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Name Surname
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Position, Company name

Amistad allowed my students to do hands-on research for our Unsung Heroes Project. Staff met with my sixth-grade students in the classroom to teach them how to analyze primary and secondary sources, and provided students with access to their sources in order to help students conduct their research.

Katheryne Patterson
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Teacher, Willow Charter School

I have worked with dozens of archives throughout my graduate studies - the Amistad Research was exceptional. Staff acted like "teammates" in my research, guiding me through the Center's resources and sharing equal excitement in the discoveries we made. This attentiveness continued for months, as staff assisted me with image scans and permissions - even amid the pandemic!

Willa Granger
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Ph.D., Fellow-in-Residence, the Edmond J. Safra Center for Ethics at Harvard University

The Amistad Research Center is integral to preserving and sharing the history of Africa American Material Culture. Amistad has proven to be a repository of some of the most important collections in American history and it has been an honor to partner with them.

Zella Palmer
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Director, Ray Charles Program in African American Material Culture, Dillard University

The Amistad Research Center and the MW Prince Hall collection have been a tremendous resource in my research on Prince Hall Masonry. The records I sometimes need can't easily be found but the Amistad Research Center seems to always have what I'm looking for. I've worked with quite a few research centers but in my opinion Amistad is one of the best!!

David Gillarm, Jr.
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Grand Historian, The M. W. Price Hall Masons Grand Lodge of Georgia

The Amistad Research Center serves as the Griot of African American presence in our struggle for equal rights in America. It is, and has been for over 50 years, the archivist and curator for the works of thousands of African American scholars, researchers, writers and artists; persevering and documenting their stories. This is an important legacy of our resilience.

Tommye Myrick
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Founder and Director, Voices in the Dark Repertory Theatre Company

As an independent, community-based archive, Amistad uniquely serves as an anchor institution for the preservation and scholarly research of the Black Condition at a time in history when Truth is defined as Critical Race Theory.

Monique Moss
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Professor, Artistic Director and Choreographer, Third Eye Theatre University of Virginia

The Amistad Research Center is widely considered to be one of the preeminent research libraries on African American history and life and the African diaspora in the world. It holds collections that are indispensable to my research.

Dr. Andrew Kahrl
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Professor, History + African American Studies, University of Virginia

Suturing material history and contemporary art practice, archival and curatorial experience, Rivers works in partnership with the Amistad Research Center to advance contemporary art that makes a study of history. Together we welcome artists from around the world to New Orleans for extended research and study in the development of new work, publications, and exhibitions.

Andrea Andersson
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Founding Director and Chief Curator, Rivers Institute of Contemporary Art & Thought

By way of its potent focus on preserving the fabric of past and present day New Orleanians, the Amistad serves as the ultimate reminder that we are all part of the same symbiotic circle. As an individual who is fortunate enough to have his own collection at the Amistad, I am forever grateful, and wish the organization as a whole and its wonderful staff members in particular every bit of continued success.

Robert Gagnier
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Robert Gagnier Oral History Collection

Because of Amistad's knowledgeable and caring staff, and the Center's many rare collections, I recommended to the Efforts of Grace Board in 2014 to entrust to Amistad more than two decades of papers documenting the Ashe Cultural Arts Center. The Amistad Research Center richly deserves the National Medal for Museum and Library Service.

Dr. Al Kennedy
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Historian and Board Member, Ashe Cultural Arts Center

Providing a service globally, the Amistad Research Center is an icon in our community. I'm deeply happy to see that the Amistad and staff is being recognized for their dedication to providing excellent services so that researchers can have a positive experience and donors can be confident that their choice of Amistad as a repository for their personal collections was sound.

Dr. Antoinette Harrell
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Historian and Genealogist

The Amistad Research Center was an invaluable resource for us to complete our documentary about bass-baritone singer William Warfield. They provided us access to the one of a kind Larney Goodkind collection, which helped us tell Warfield's story though photographs from his amazing career. Collections like this keep history alive.

Tristan Walker
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Producer/Editor/Director, Rochester Institute of Technology

The time I spent at the Amistad was indispensable to the completion of my dissertation. The staff were able to point me to several related collections, which led me on research paths I hadn't anticipated but were incredibly fruitful for my dissertation's framing.

Claire Ittner
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Ph.D. Candidate, History of Art Department, UC-Berkeley

Thank you very much for a wonderful article! I'm almost at a loss for words to read such a touching and kind article about my father. I hope this helps to bring more awareness of the important work that you and your colleagues are doing at the Amistad Center.

Helen Kagan
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Donor, from a letter to Amistad Research Center

During my time working at the Amistad Research Center on the IMLS Women's Project, I assisted in the processing of the Senga Nengudi Papers and the Antoinette Harrell Papers. While documenting Nengudi's art and Harrell's political and genealogical work, these collections also remind us of the multilayered and complex person behind the material.

Khalif Aziz Birden
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Ph.D. Student, Tulane University Department of Anthropology

As someone who is hopefully training at least a few future historians and many more who love and understand the importance of a deep knowledge of history, I am so grateful that New Orleans is home to such a treasure as the Amistad Research Center, and even more grateful for its staff members who are so generous in sharing that treasure even, and especially, with young people.

Perry Rogers
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Principal, De La Salle High School

Amistad is an institution that has a deep understanding of not just New Orleans history but the history and culture of Black and Indigenous peoples. Their stories are vital to understanding the story of race in America.

Phoebe Ferguson
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The Plessy & Ferguson Foundation

Without the Amistad Research Center, many documents from the African American experience would end up in landfills and many stories would end up in cemeteries. As a gift to our community, the Amistad preserves our rich history. As a gift to the world, it generously shares it.

Freddi Evans
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Historian and Author of Congo Square: African Roots in New Orleans

My organization has facilitated the donation of a number of LGBTQ+ collections to ARC and I have always been impressed with their professionalism. We have partnered with ARC in the past on public programming events and their commitment to preserving queer history is admirable.

Frank Perez
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President, LGBT+ Archives Project of Louisiana

The Amistad Research Center has a wealth of vital archive collections that have been fundamental to my research. ARC has really gone above and beyond, not only responding to my requests with both speed and efficiency, but also demonstrating in-depth knowledge of the collections and the materials I required.

Rebecca Fraser
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Associate Professor in American History and Culture, University of East Anglia