This maxim reflects the bond between writer Tom Dent and his library at Amistad.
The Value of Yearbooks
No items found.
Back when I was in elementary and middle school, one of the things I looked forward to most was getting my yearbook at the end of the year. We’d be let out of class early so we could go around and get our friends to sign our yearbooks. It was a fun time and I’m sad I don’t have mine from elementary school anymore. Back then I valued my yearbooks because of that big social event and getting out of class, but now I see themas a valuable source of records and a time capsule for historical cultural trends.
Amistad has a small collection of yearbooks which span from 1925 to 1979. To keep myself from spending the entire day looking at yearbooks, I narrowed it down to four. First, I looked at the 1925 yearbook from Knoxville College located in Knoxville, Tennessee entitled The Knoxunior. The historically black college was founded in 1875, but unfortunately is indefinitely closed today. This yearbook was published during the fiftieth anniversary of the founding of the school, and thus had many references to the school’s history.
Next, I perused the 1959 yearbook from Booker T. Washington High School in New Orleans, Louisiana which offered a look at a predominantly black school just one year before the New Orleans school desegregation crisis. This yearbook was especially cool because of its space age theme that captured the obsession of all things outer space that had gripped the country. As a result there was a huge emphasis on science (page 57). However, non-science subjects were not exempt; the taglines for the other departments were all space related as well.
English: How is your space age vocabulary?
Music: Sounds in space!
Social Studies: Life in space!
Yearbooks also give you a glimpse of the culture of a high school or college as well as the town itself. I looked the Rosenwald High School 1960 yearbook. The school is located in New Roads, Louisiana. There, I came across a picture of the members of a student organization called New Farmers of America which speaks to the importance of agriculture. As far as cultural trends though, I confess that the yearbooks I most looked forward to examining where the ones from the 1970s and the Xavier University Yearbook of 1979 did not disappoint. Like the Knowunior yearbook, it was published on the school’s fiftieth anniversary. It included bell bottoms, fun prints, and impressive afros as it documented Xavier’s vibrant campus life. [yea0003] The yearbook also contained pictures of New Orleans playwright Chakula Cha Jua in a production of a Raisin in the Sun.
According to an article entitled “In the Facebook era, will printed yearbooks survive?” physical yearbooks are still very much in demand—a demand that has largely been unaffected by social media and other technology. While the number of college yearbooks declined, people still value the feel of a physical book in an era where photographs are rarely printed our and mostly stay in the digital realm. Another student said they wanted a physical yearbook because who knows if the internet will be around in ten years.
As an archivist who regularly encounters the difficulties in preserving digital objects, I chuckled at that comment, but it is still clear that physical yearbooks still hold a place in people’s hearts.
Image from the Yearbook collection. Images from Amistad’s website, newsletters, and blogs cannot be reproduced without permission.
#Education #ephemera #BookerTWashingtonHighSchool #XavierUniversity #KnoxvilleCollege
Explore More Articles
Kathe Hambrick is the Founder and former Executive Director of the River Road African American Museum (RRAAM), established in 1994 as Louisiana’s first African American Museum. She is a past President of the national Association of African American Museums (AAAM). She served as the Chief Curator and Director of Interpretation for the West Baton Rouge Museum for four years. Hambrick was born in New Orleans and spent half her life in California where she received an undergraduate degree in English and a minor in African American Studies from California State University Long Beach.
Hambrick is a Public Historian with a passion for collecting, preserving and interpreting history for diverse audiences. Her thirty-one-year career as a museum professional includes expertise in program development, interpretative planning, curation, grant writing, fundraising, and board governance. She led the effort to preserve three slave cemeteries and six historic buildings in Ascension Parish.
She is considered an expert on the history and culture of African Americans in communities along the Mississippi River. Kathe Hambrick’s interviews include local, national, and international media, the BBC Learning Channel, CBS Morning News, National Public Radio, and the New York Times. The consulting firm, 2PRESERVE was established by Hambrick in 2021 to provide cultural resources and guidance to corporations, museums, cultural centers, government agencies, and faith-based organizations.
Throughout her 31-year career, Kathe has curated over one hundred exhibits, including The Rural Roots of Jazz, African Influences on Louisiana Cuisine, Creole Du Monde, and The Square Collection which featured original art by Elizabeth Catlett, Jacob Lawrence, Richmond Barthé, and Tina Allen. Her most recent exhibit is the GU272 of Ascension: The Jesuit and Episcopal Connection to Slavery.
Kathe is the author and co-author of several books:
Kathe Hambrick is the Founder and former Executive Director of the River Road African American Museum (RRAAM), established in 1994 as Louisiana’s first African American Museum. She is a past President of the national Association of African American Museums (AAAM). She served as the Chief Curator and Director of Interpretation for the West Baton Rouge Museum for four years. Hambrick was born in New Orleans and spent half her life in California where she received an undergraduate degree in English and a minor in African American Studies from California State University Long Beach.
Hambrick is a Public Historian with a passion for collecting, preserving and interpreting history for diverse audiences. Her thirty-one-year career as a museum professional includes expertise in program development, interpretative planning, curation, grant writing, fundraising, and board governance. She led the effort to preserve three slave cemeteries and six historic buildings in Ascension Parish.
She is considered an expert on the history and culture of African Americans in communities along the Mississippi River. Kathe Hambrick’s interviews include local, national, and international media, the BBC Learning Channel, CBS Morning News, National Public Radio, and the New York Times. The consulting firm, 2PRESERVE was established by Hambrick in 2021 to provide cultural resources and guidance to corporations, museums, cultural centers, government agencies, and faith-based organizations.
Throughout her 31-year career, Kathe has curated over one hundred exhibits, including The Rural Roots of Jazz, African Influences on Louisiana Cuisine, Creole Du Monde, and The Square Collection which featured original art by Elizabeth Catlett, Jacob Lawrence, Richmond Barthé, and Tina Allen. Her most recent exhibit is the GU272 of Ascension: The Jesuit and Episcopal Connection to Slavery.
Kathe is the author and co-author of several books:
Kathe Hambrick is the Founder and former Executive Director of the River Road African American Museum (RRAAM), established in 1994 as Louisiana’s first African American Museum. She is a past President of the national Association of African American Museums (AAAM). She served as the Chief Curator and Director of Interpretation for the West Baton Rouge Museum for four years. Hambrick was born in New Orleans and spent half her life in California where she received an undergraduate degree in English and a minor in African American Studies from California State University Long Beach.
Hambrick is a Public Historian with a passion for collecting, preserving and interpreting history for diverse audiences. Her thirty-one-year career as a museum professional includes expertise in program development, interpretative planning, curation, grant writing, fundraising, and board governance. She led the effort to preserve three slave cemeteries and six historic buildings in Ascension Parish.
She is considered an expert on the history and culture of African Americans in communities along the Mississippi River. Kathe Hambrick’s interviews include local, national, and international media, the BBC Learning Channel, CBS Morning News, National Public Radio, and the New York Times. The consulting firm, 2PRESERVE was established by Hambrick in 2021 to provide cultural resources and guidance to corporations, museums, cultural centers, government agencies, and faith-based organizations.
Throughout her 31-year career, Kathe has curated over one hundred exhibits, including The Rural Roots of Jazz, African Influences on Louisiana Cuisine, Creole Du Monde, and The Square Collection which featured original art by Elizabeth Catlett, Jacob Lawrence, Richmond Barthé, and Tina Allen. Her most recent exhibit is the GU272 of Ascension: The Jesuit and Episcopal Connection to Slavery.
Kathe is the author and co-author of several books: