After the Civil War, HBCUs pioneered Black education in America.
The Marguerite Cartwright papers: Open for Research!
Jasmaine Talley
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The papers of Dr. Marguerite Cartwright are now open and available to researchers. This collection was processed with funding assistance from the National Historical Publications and Records Commission (NHPRC).
Dr. Cartwright's papers chronicle her life as an entertainer, university lecturer and United Nations correspondent for the Pittsburgh Courier. Through her correspondence, one can see the connections she made with Harlem Renaissance-era poets and with leaders of newly independent nations such as Nigeria and Ghana. Her ability to weave her international travels and personal experiences into her lectures is reflected in the coursework she assigned her students; many examples of this coursework are included within her papers. Her writings cover a multitude of topics but are primarily focused around United Nations activities, in addition to her travels. Her papers also demonstrate her involvement with organizations related to the arts, anti-colonialism and with fostering relationships between the United States and countries in Africa. Her involvement in the Provisional Council of the University of Nigeria, Nsukka, is also reflected in the meeting minutes and correspondence that are included in her papers. All of these activities are supported by subject files containing newspaper clippings, articles and publications (often in the form of scrapbooks) she created for her personal research. These files encompass many contemporary topics, issues and events following World War II until the early 1980s, both nationally and internationally. Furthermore, she created a file for each member country or potential member country of the United Nations.
In short, there are many points of access to this collection for researchers, as reflected in the online finding aid. Some of the notable topics include civil rights; anti-colonialism; racism and anti-racism organizations; and African-Americans in the arts, theater, and in broadcasting; among others.
Click online finding aid to access the Marguerite Cartwright papers.
Previous blog posts about Marguerite Cartwright include:
Introducing Marguerite Cartwright
Marguerite Cartwright and the University of Nigeria
Broadcast Journalism Highlights from the Marguerite Cartwright Papers
The Cartwright Collection and a Personalized View of Interracial Marriage
(Click on hyperlinked title to access the blog post.)
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Kathe Hambrick is the Founder and former Executive Director of the River Road African American Museum (RRAAM), established in 1994 as Louisiana’s first African American Museum. She is a past President of the national Association of African American Museums (AAAM). She served as the Chief Curator and Director of Interpretation for the West Baton Rouge Museum for four years. Hambrick was born in New Orleans and spent half her life in California where she received an undergraduate degree in English and a minor in African American Studies from California State University Long Beach.
Hambrick is a Public Historian with a passion for collecting, preserving and interpreting history for diverse audiences. Her thirty-one-year career as a museum professional includes expertise in program development, interpretative planning, curation, grant writing, fundraising, and board governance. She led the effort to preserve three slave cemeteries and six historic buildings in Ascension Parish.
She is considered an expert on the history and culture of African Americans in communities along the Mississippi River. Kathe Hambrick’s interviews include local, national, and international media, the BBC Learning Channel, CBS Morning News, National Public Radio, and the New York Times. The consulting firm, 2PRESERVE was established by Hambrick in 2021 to provide cultural resources and guidance to corporations, museums, cultural centers, government agencies, and faith-based organizations.
Throughout her 31-year career, Kathe has curated over one hundred exhibits, including The Rural Roots of Jazz, African Influences on Louisiana Cuisine, Creole Du Monde, and The Square Collection which featured original art by Elizabeth Catlett, Jacob Lawrence, Richmond Barthé, and Tina Allen. Her most recent exhibit is the GU272 of Ascension: The Jesuit and Episcopal Connection to Slavery.
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Kathe Hambrick is the Founder and former Executive Director of the River Road African American Museum (RRAAM), established in 1994 as Louisiana’s first African American Museum. She is a past President of the national Association of African American Museums (AAAM). She served as the Chief Curator and Director of Interpretation for the West Baton Rouge Museum for four years. Hambrick was born in New Orleans and spent half her life in California where she received an undergraduate degree in English and a minor in African American Studies from California State University Long Beach.
Hambrick is a Public Historian with a passion for collecting, preserving and interpreting history for diverse audiences. Her thirty-one-year career as a museum professional includes expertise in program development, interpretative planning, curation, grant writing, fundraising, and board governance. She led the effort to preserve three slave cemeteries and six historic buildings in Ascension Parish.
She is considered an expert on the history and culture of African Americans in communities along the Mississippi River. Kathe Hambrick’s interviews include local, national, and international media, the BBC Learning Channel, CBS Morning News, National Public Radio, and the New York Times. The consulting firm, 2PRESERVE was established by Hambrick in 2021 to provide cultural resources and guidance to corporations, museums, cultural centers, government agencies, and faith-based organizations.
Throughout her 31-year career, Kathe has curated over one hundred exhibits, including The Rural Roots of Jazz, African Influences on Louisiana Cuisine, Creole Du Monde, and The Square Collection which featured original art by Elizabeth Catlett, Jacob Lawrence, Richmond Barthé, and Tina Allen. Her most recent exhibit is the GU272 of Ascension: The Jesuit and Episcopal Connection to Slavery.
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