After the Civil War, HBCUs pioneered Black education in America.
Mary Anne Mushatt’s Lion’s Tale and the Power of Oral History
Amistad has recently added the film Lion’s Tale (2000) to its online digital collections. The film was written, directed and produced by Mary Anne Mushatt. For her MFA thesis project, Mushatt collected the oral histories of residents along Louisiana’s River Road, between Baton Rouge and New Orleans, including members of the African American community and the Houma Nation. The result is a documentary challenging the dominance of the “plantation country” narrative that most know as the primary reputation of the area.
Mushatt guides us through the community, acting as narrator, weaving together the stories of the River Road’s residents and local historians. Community members share their family histories and reminiscences of life in the area. We hear from Kathe Hambrick, the Executive Director of the River Road African American Museum, and Grayhawk Perkins, Storyteller for the United Houma Nation, among others. Some residents recall the difficulties of the past. Lydia Gloster recalls the lessons she learned from her mother and grandmother about how to stretch a meal; Richard Keller talks about his grandchildren’s incredulity as he described to them the days of living with no electricity or indoor plumbing.
The common thread throughout the interviews is the idea that written history can only provide a small slice of the truth, particularly in communities that have relied heavily on oral traditions. For the Houma people, learning their own story from their own oral traditions can mean something as powerful as learning about a past made up of freedom fighters and heroes, rather than renegades and troublemakers. For the African American community, it can mean being taught pride in the resiliency of their culture, rather than shame and negativity. The oral history culture is inclusive of the present, and emphasizes the participatory nature of history, a notion that can be difficult to capture in written form.
Lion’s Tale is available streaming for free as part of the Tulane University Digital Library.
Images from the Mary Anne Mushatt collection. Images from Amistad’s website, newsletters, and blogs cannot be reproduced without permission.
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Hambrick is a Public Historian with a passion for collecting, preserving and interpreting history for diverse audiences. Her thirty-one-year career as a museum professional includes expertise in program development, interpretative planning, curation, grant writing, fundraising, and board governance. She led the effort to preserve three slave cemeteries and six historic buildings in Ascension Parish.
She is considered an expert on the history and culture of African Americans in communities along the Mississippi River. Kathe Hambrick’s interviews include local, national, and international media, the BBC Learning Channel, CBS Morning News, National Public Radio, and the New York Times. The consulting firm, 2PRESERVE was established by Hambrick in 2021 to provide cultural resources and guidance to corporations, museums, cultural centers, government agencies, and faith-based organizations.
Throughout her 31-year career, Kathe has curated over one hundred exhibits, including The Rural Roots of Jazz, African Influences on Louisiana Cuisine, Creole Du Monde, and The Square Collection which featured original art by Elizabeth Catlett, Jacob Lawrence, Richmond Barthé, and Tina Allen. Her most recent exhibit is the GU272 of Ascension: The Jesuit and Episcopal Connection to Slavery.
Kathe is the author and co-author of several books:
Hambrick is a Public Historian with a passion for collecting, preserving and interpreting history for diverse audiences. Her thirty-one-year career as a museum professional includes expertise in program development, interpretative planning, curation, grant writing, fundraising, and board governance. She led the effort to preserve three slave cemeteries and six historic buildings in Ascension Parish.
She is considered an expert on the history and culture of African Americans in communities along the Mississippi River. Kathe Hambrick’s interviews include local, national, and international media, the BBC Learning Channel, CBS Morning News, National Public Radio, and the New York Times. The consulting firm, 2PRESERVE was established by Hambrick in 2021 to provide cultural resources and guidance to corporations, museums, cultural centers, government agencies, and faith-based organizations.
Throughout her 31-year career, Kathe has curated over one hundred exhibits, including The Rural Roots of Jazz, African Influences on Louisiana Cuisine, Creole Du Monde, and The Square Collection which featured original art by Elizabeth Catlett, Jacob Lawrence, Richmond Barthé, and Tina Allen. Her most recent exhibit is the GU272 of Ascension: The Jesuit and Episcopal Connection to Slavery.
Kathe is the author and co-author of several books:
Hambrick is a Public Historian with a passion for collecting, preserving and interpreting history for diverse audiences. Her thirty-one-year career as a museum professional includes expertise in program development, interpretative planning, curation, grant writing, fundraising, and board governance. She led the effort to preserve three slave cemeteries and six historic buildings in Ascension Parish.
She is considered an expert on the history and culture of African Americans in communities along the Mississippi River. Kathe Hambrick’s interviews include local, national, and international media, the BBC Learning Channel, CBS Morning News, National Public Radio, and the New York Times. The consulting firm, 2PRESERVE was established by Hambrick in 2021 to provide cultural resources and guidance to corporations, museums, cultural centers, government agencies, and faith-based organizations.
Throughout her 31-year career, Kathe has curated over one hundred exhibits, including The Rural Roots of Jazz, African Influences on Louisiana Cuisine, Creole Du Monde, and The Square Collection which featured original art by Elizabeth Catlett, Jacob Lawrence, Richmond Barthé, and Tina Allen. Her most recent exhibit is the GU272 of Ascension: The Jesuit and Episcopal Connection to Slavery.
Kathe is the author and co-author of several books: