Lucile Levy Hutton was a notable musician and educator for 46 years.
50 Years/50 Collections: Connie Harse On the Frontlines of CORE
The Connie Harse papers at the Amistad Research Center provides a pictorial history of the Civil Rights Movement in New Orleans during the 1960s. The collection, donated by Harse in 1999, contains some of the Center’s most widely circulated photographs that depict lunch counter protests at McCrory’s and Woolworths on Canal Street in 1961. The photographs have been used in our physical and digital exhibitions on civil rights print culture and in publicity materials for the Center. One photograph from the collection is currently on display in an exhibition at the Historic New Orleans Collection focusing on women’s history in New Orleans.
Harse participated in protests at McCrory’s and Woolworth’s as a member of the Congress of Racial Equality (CORE). Her presence on the picket lines as a white woman, laboring besides African Americans in the fight for equality, drew the ire and sometimes violent reactions of white Southerners. In a testimony published in CORE’s publication, the CORE-lator, in April of 1961, Harse explained one situation where she was physically assaulted:
“…..I was picketing close to the outside edge of the sidewalk in front of McCrory’s on Canal Street when a white lady, about 50 years of age, stopped and asked me if I was a member of “that nigger” organization (i.e. CORE). I answered, “Yes, ma’am” and continued walking. She walked close beside and at times behind me for about three lengths of the store, shouting questions and accusations at me. I remember her asking me if I knew what I was doing, and if I knew what Japan, China, Russia, and Cuba were doing. My refusal to answer must have annoyed her because she began shoving and pushing me. She tried to knock my sign down, but I lifted it up again…..then she pushed me against a parked car, kicked me, and hit me around the shoulders and body with her purse and her hands.”
Harse’s photographs are also significant because they provide documentation of New Orleans’ most prominent CORE activists such as Jerome Smith, Dave Dennis, and Doris Jean Castle. There were additional CORE related items donated with Harse’s photographs including an April 1961 issue of the CORE-lator, an invitation to a CORE-sponsored banquet for the Freedom Riders held at the Dooky Chase restaurant in New Orleans, and political buttons for CORE.
Constance "Connie" Harse (nee Bradford) was born in Birmingham, Alabama in 1941. She was a graduate of Tulane University's Newcomb College for Women. In late 1960, Harse attended a CORE meeting in New Orleans, not as a supporter of the organization, but as a proponent of segregation. Her experience at the meeting led her to change her views on the topic and she joined CORE. She took part in CORE-sponsored demonstrations and served as photographer for the organization, documenting CORE's activities and harassment toward members. Her support of civil rights and CORE led to hardships between her and her family and, at one point, her family tried to institutionalize her. Despite this, she remained active in CORE through her junior year in college before studying in Europe. Upon her return to New Orleans, Harse became less active in the local branch of CORE following the purge of white membership in 1962. She died on April 7, 2013.
The finding aid for the Connie Harse papers can be found here.
Images from the Connie Harse papers. Images from Amistad’s website, newsletters, and blogs cannot be reproduced without permission.
#50years50collections #ConnieHarse #CongressofRacialEquality #CivilRightsMovement
Explore More Articles
Hambrick is a Public Historian with a passion for collecting, preserving and interpreting history for diverse audiences. Her thirty-one-year career as a museum professional includes expertise in program development, interpretative planning, curation, grant writing, fundraising, and board governance. She led the effort to preserve three slave cemeteries and six historic buildings in Ascension Parish.
She is considered an expert on the history and culture of African Americans in communities along the Mississippi River. Kathe Hambrick’s interviews include local, national, and international media, the BBC Learning Channel, CBS Morning News, National Public Radio, and the New York Times. The consulting firm, 2PRESERVE was established by Hambrick in 2021 to provide cultural resources and guidance to corporations, museums, cultural centers, government agencies, and faith-based organizations.
Throughout her 31-year career, Kathe has curated over one hundred exhibits, including The Rural Roots of Jazz, African Influences on Louisiana Cuisine, Creole Du Monde, and The Square Collection which featured original art by Elizabeth Catlett, Jacob Lawrence, Richmond Barthé, and Tina Allen. Her most recent exhibit is the GU272 of Ascension: The Jesuit and Episcopal Connection to Slavery.
Kathe is the author and co-author of several books:
Hambrick is a Public Historian with a passion for collecting, preserving and interpreting history for diverse audiences. Her thirty-one-year career as a museum professional includes expertise in program development, interpretative planning, curation, grant writing, fundraising, and board governance. She led the effort to preserve three slave cemeteries and six historic buildings in Ascension Parish.
She is considered an expert on the history and culture of African Americans in communities along the Mississippi River. Kathe Hambrick’s interviews include local, national, and international media, the BBC Learning Channel, CBS Morning News, National Public Radio, and the New York Times. The consulting firm, 2PRESERVE was established by Hambrick in 2021 to provide cultural resources and guidance to corporations, museums, cultural centers, government agencies, and faith-based organizations.
Throughout her 31-year career, Kathe has curated over one hundred exhibits, including The Rural Roots of Jazz, African Influences on Louisiana Cuisine, Creole Du Monde, and The Square Collection which featured original art by Elizabeth Catlett, Jacob Lawrence, Richmond Barthé, and Tina Allen. Her most recent exhibit is the GU272 of Ascension: The Jesuit and Episcopal Connection to Slavery.
Kathe is the author and co-author of several books:
Hambrick is a Public Historian with a passion for collecting, preserving and interpreting history for diverse audiences. Her thirty-one-year career as a museum professional includes expertise in program development, interpretative planning, curation, grant writing, fundraising, and board governance. She led the effort to preserve three slave cemeteries and six historic buildings in Ascension Parish.
She is considered an expert on the history and culture of African Americans in communities along the Mississippi River. Kathe Hambrick’s interviews include local, national, and international media, the BBC Learning Channel, CBS Morning News, National Public Radio, and the New York Times. The consulting firm, 2PRESERVE was established by Hambrick in 2021 to provide cultural resources and guidance to corporations, museums, cultural centers, government agencies, and faith-based organizations.
Throughout her 31-year career, Kathe has curated over one hundred exhibits, including The Rural Roots of Jazz, African Influences on Louisiana Cuisine, Creole Du Monde, and The Square Collection which featured original art by Elizabeth Catlett, Jacob Lawrence, Richmond Barthé, and Tina Allen. Her most recent exhibit is the GU272 of Ascension: The Jesuit and Episcopal Connection to Slavery.
Kathe is the author and co-author of several books: